The fashion reader
Colaborador(es): Welters, Linda | Lillethun, Abby.
Tipo de material: MonográficaEditor: Londres Bloomsbury Visual Arts 2022Edición: Third edition.Descripción: 535 p., il.ISBN: 978-1-3500-5913-9.Materia(s): ModaTipo de ítem | Ubicación actual | Signatura | Estado | Fecha de vencimiento |
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Libros | Ampersand | ST [CM] [WEL] (Navegar estantería) | Disponible |
Navegando Ampersand Estantes Cerrar el navegador de estanterías
ST [CM] [MAR] Moda 1790-1900 / | ST [CM] [PIC] Coco Chanel : | ST [CM] [TES] Alta moda / | ST [CM] [WEL] The fashion reader | ST [COL] Fond of printing : | ST [Col. FB] 124-228 RED Erhard Ratdolt and his work at Venice : | ST [Col. FB] 242.9-264.5 UPD Printing types, their history, forms, and use : |
Contiene índice: 528-535 p.
List of illustrations -- Acknowledgements -- Notes on contributors -- Introduction : Linda Welters and Abby Lillethun -- Part 1 : A brief history of fashion -- Part 2 : Fashion theory -- Part 3 : Psychology of fashion -- Part 4 : Fashion and identity -- Part 5 : Fashion: space and place -- Part 6 : Politics of fashion -- Part 7 Fashion and the body -- Part 8 : Fashion and art -- Part 9 : Fashion, media and communication -- Part 10 : From haute couture to the street -- Part 11 : Design and manufacture -- Part 12 : Marketing and merchandising -- Part 13 : The fashion business and global economics -- Part 14 : sustainability and fashion -- Part 15 : future of fashion.
In The Fashion Reader, Linda Welters and Abby Lillethun have selected 76 influential articles to offer insight into the critical theories and conversations that surround this huge international industry.
Many of the essays are drawn from books, journals, magazines, and exhibition catalogues, bringing together new and established concepts to offer a solid grounding in the history, business and culture of fashion. Fourteen of the chapters were written expressly for this edition. For added context, each of the fifteen parts has an introduction from the editors, guiding you through the interdisciplinary world of fashion studies, and each part concludes with suggestions for further reading.
This third edition has been substantially revised to highlight issues of sustainability, identity, the body, as well as global perspectives from “The Commodification of Ethnicity” to “The Cultural Heritage of Tattooing.”
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