Painting gender, constructing theory : the Alfred Stieglitz Circle and American formalist aesthetics /
Por: Brennan, Marcia
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Tipo de material: 
MonográficaEditor: Massachusetts : MIT Press, 2001Descripción: 377 p., il.Materia(s): Stieglitz, Alfred 1864-1946 | Colección Mosqueda | Siglo XX | Estudios culturales | Pintura | Vanguardias| Tipo de ítem | Ubicación actual | Signatura | Estado | Fecha de vencimiento |
|---|---|---|---|---|
| Libros | Ampersand | ST [BRE] (Navegar estantería) | Disponible |
Navegando Ampersand Estantes Cerrar el navegador de estanterías
| ST [BLA] Ricardo Blanco, mas allá del objeto / | ST [BLU] Typographic years : | ST [BOI] Le livre a gravures au XVIII siécle : | ST [BRE] Painting gender, constructing theory : | ST [BRO] The London bookshop : | ST [BRO] De l'argile au nage : | ST [BUO] Diccionario de bibliotecología : |
Acknoledgements -- Introduction -- Part I: embodied formalism: the formulation of a discourse -- Chapter 1 : Puritan Repression and the whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916, 1929 -- Chapter 2 : Faith, love and the broken camera: Alferd Stieglitz and New York Dada -- Chapter 3 : Alfred Stieglitz and his critics: an aesthetic of intimacy -- Part II: The Stieglitz Circle symbolic body -- Chapter 4 : Arthur Dove and Georgie O'Keefe: Corporeal transparency and strategies of inclusion -- Chapter 5 : John Marin: Framed landscapes of embodied visions -- Chapter 6 : Marsden Hartley and Charles Demuth: the edged of the circle -- Part III: Contests and conterdiscourses, circa 1930-1950 -- Chapter 7 : Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton -- Chapter 8 : The contest for "the greatest American painter of the tentieth century": Alfred Stieglitz and Clement Greenberg.
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